Tag Archives: travel to Cuba

January 12, 2012 · 9:43 am

How to Cope Like A Cuban

I’ve got a friend – I’ll call her Lucia. Life has been a bitch for Lucia in that special Cuban kind of way with family torn asunder by bi-lateralpolar politics; dramatic affairs of the heart and all the ardor and betrayal that implies; and the exhaustion inherent in raising three kids – the oldest two during those hard, indelible times known as the Periodo Especial, when stomachs growled and cramped with hunger and entire days were spent in blackout. The Special Period was also when mobs of people cast their fate to the wind, water, and sharks on slap-dash rafts with a 50/50 chance of making it across the Straits.

Many of those poor souls failed in their attempt to escape, dying outright en route or otherwise kept from stumbling into the open arms of Uncle Sam (see note 1). With a forced smile exemplifying the Cuban dicho ‘mal tiempo, buena cara,’ Lucia waved goodbye to friends and family, colleagues and acquaintances as they emigrated north. Due to circumstances financial and otherwise, many of Lucia’s people – including her only sister and two childhood friends – can’t return to visit Cuba. Like so many people I know, Lucia dreams of sharing a Cristal wet with sweat in the honeyed Havana light with her loved ones.

Paddling away on a raft or zipping off in a lancha (regular weekly departures for $10,000 a head) is the most dramatic and dangerous means of escape, but there are others: marrying a foreigner is perennially popular, as is the slower (but somehow less tedious) application for the bombo (see note 2); securing a Spanish passport if your family descends from those parts; or quedándose on a trip abroad. That is: going overseas for work or as a tourist (yes, some Cubans do travel for shopping pleasure) and neglecting to get on the plane back. To give you an idea of how profoundly the emigration question touches Cubans, consider ‘La Visa,’ the latest schoolyard game whereby a ball is thrown in the air and a country shouted out – Yuma! Mexico! España! The kid who catches the ball ‘gets’ the corresponding visa.

But contrary to what the world has been led to believe, there are more Cubans who don’t want to leave than do. Like Lucia. Like my husband and his family. Like many of my co-workers. But just because they aren’t scheming their great escape doesn’t mean they don’t feel trapped now and again. Hemmed in by water, but also bureaucracy, Third World economics, politics and other factors quite beyond one’s control – who wouldn’t be? It’s trying at times and requires figurative escapes – coping mechanisms to mollify the madness and loosen the psychological pretzel island living engenders.

In no particular order:

Sex, drugs, and rock ‘n roll: The Cuban penchant (and talent) for sex is legendary and sexual freedom in the form of multiple partners and the pursuit and conquest of same is part and parcel of our daily landscape. Not only is hooking up freeing in the personal sovereignty sense in that it affirms (however hollowly), one’s individual choice and control, but it’s also free entertainment. The flirting and dancing and piropos (pick up lines and compliments) and foreplay help keep boredom (however temporarily) at bay and serve as an escape from all those factors beyond our control.

Drugs – illicit or not – serve the same purpose and despite Granma’s assertion that drogas aren’t a health problem here, 10 years of living in Havana paints a different picture. I know more than a handful of hardcore drunks for example, and prescription pills are in such high demand family doctors have been trained how to handle patients angling for scripts. Marijuana and cocaine can be had at no small risk and price (see note 3) and I’ve heard about Cuban acid trips and X adventures. Rock ‘n roll (coupled with rolls in the hay) is my personal drug of choice and in this, I’m largely up shit’s creek here since Cuba has crappy rock, though regular gigs by accomplished cover bands like Los Kents provide certain succor.

The Novela: Soap operas are addicting, which you well know if you’ve spent any amount of time in Cuba, where ‘round about nine o’clock the city quietly retreats inside to catch the next installment. Brazilian, Argentine, Cuban – it doesn’t matter the origin, as long as the cast is beautiful, the food abundant and the tragedia delicious. These fantasy worlds provide needed escape for islanders of all stripes, from housewives to priests, cowboys to convicts. On December 31st, a hallowed night spent with family here, the clan licked pork fat from their fingers and waited to pop the cider that stands in for champagne here when all the women mysteriously melted away. ‘La novela,’ someone said when I asked after them. Even Fidel has interrupted one of his televised speeches to assure viewers he wouldn’t run over into the soap opera. If you think I’m kidding about soaps as serious escape, consider that two TV households aren’t uncommon here: one for those who want to watch the novela, another for watching pelota. Homes with just one set become divided and bicker-ridden when the soaps and baseball are simulcast.

DVDs: Even before the explosion of private entrepreneurs selling pirated DVDs descended upon us, Cubans habitually rented and copied movies (or entire seasons of their favorite soap), on VHS and now on DVD and in digital formats. Last week as I looked to buy a 5 movie combo from my neighborhood pirate, the saleswoman nodded knowingly when I told her I was looking for something to ‘desconectarme,’ to ‘saca el plug.’ Whether at home or in the theater, cinematic escape is familiar to all Cubans and the saleswoman had no trouble plucking a DVD from the rack with Moneyball, New Year’s Eve, and three other recent releases.

Sports: Technically (and for all the old timers), baseball may be the national sport, but football/soccer is making a play for the title. Every day in the park near my house, local kids field two full teams and kick up the dirt in bare feet as they drive towards the goal. When Barça or Real Madrid play, the bars are packed with fans wearing their colors who unleash a fury once reserved for the Industriales baseball club and national volleyball team. I’m not surprised that booting a little black and white ball about for millions of dollars while having all the super models, fast cars, and sprawling properties your heart desires is the escape-cum-dream package for so many Cubans.

And that’s what it’s all about, friends: the dream. Not the American one or the European one. Nor the dream of fame and fortune those places symbolize (but rarely actualize) for so many from points south. Just the dream, in and of itself regardless of time, space or place. This is what’s essential. We all have them. We all have the right to them. I encourage everyone, everywhere to embrace, as I have, my mom’s sage advice: ‘live your dreams.’ No matter what they are or where they may take you.

In the words of Blondie: “I’ll build a road in gold just to have some dreaming. Dreaming is free.”

Notes

1. The USA has an extra special immigration policy for Cubans known as ‘wet foot/dry foot’ whereby any Cubano who is able to touch toe to hallowed US ground is granted automatic residency in the Land o’ the Free. This ‘advance to Go, collect $200’ dangled before Cubans (and only Cubans) means would-be immigrants from this island are even more reckless than their nothing-left-to-lose brethren from other latitudes, risking life and limb to reach the USA. Again and again, it has proven fatal (Elián González ring a bell?).

2. Other extra special Cuban immigration rules coming from the USA include this emigration visa, 20,000 of which are pledged under current accords (Obama re-instated this old policy suspended by Bush Hijo).

3. I strongly advise everyone reading this against trying to procure illicit drugs here; see Locked Up Abroad.

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December 5, 2011 · 5:34 pm

Why are Cubans so Damn Good?!

December is always an interesting time in Havana – cool in temperature and temperament, but also cruel in many ways. Hurricane season has officially ended, so this is when we breathe easier (if Mother Nature has been benevolent) or tighten our belts one notch further (if she hasn’t). Christmas and New Year’s are bearing down, which means feasts of pork and yucca and the season’s first lettuce; dancing to Van Van in the Protestódromo (see note 1); and having a few days of well-deserved rest.

‘Tis the season to be jolly, certainly, but ‘tis also the season to be on your guard: there are few guarantees in Cuba, but a spike in robberies leading up to Christmas when the desire to provide gifts, food, and drink for the family trumps ethics and the law is one of them (a dramatic increase in water- and food-borne infections during the hot summer months is another).

Nevertheless, the prospect of being jacked is nothing compared to the heartache and nostalgia that afflict family and friends whose most ardent desire is to be in Cuba during fin de año – trust me, I know. The food and mood is superlative, of course, as is the camaraderie, but December in these parts is also Festival Time.

The Havana Film Festival is now well underway, and hot on its heels is the Jazz Festival, which showcases some of the world’s top jazz musicians in intimate (and cheap!) venues. This isn’t Cannes or Hollywood, Montreux or Manhattan: here the stars are in the seats and streets and whole days and nights are consumed hopping from theater to conference to club, followed by stellar after parties and sizzling jam sessions.

The depth and breadth of Cuban artistic output is (dare I say it?) unsurpassed by any other country its size and many much bigger (sorry my Commonwealth friends, but Australia and to a lesser degree, Canada, come to mind). With so many amazingly talented Cubans strutting their stuff these festival-filled days, I’ve begun to think seriously about Cuban culture and talent.

In short, is this surfeit of greatness thanks to Nature or Nurture?

O sea: is it 50 years of free education (including in all the arts) and the abundance of dirt cheap and even free cultural offerings that have nurtured such success? That’s part of it surely, but doesn’t explain all the Cuban cultural phenoms who predate the Revolution (Desi Arnaz notwithstanding) like Bola de Nieve, Ernesto Lecuona, and Benny Moré.

Maybe it’s in the genes then? This nature theory would explain a lot, like the prevalence of both dynastic families and cultural autodidacts, of which Cuba, as a country of only 11 million, has a disproportionate amount.

My first glimpse of this was provided by my friend, singer-songwriter Santiago Felíu. A high school dropout with a well of the maniacal genius bubbling deep within him, Santí taught himself to play guitar (better than any of his contemporaries mind you), as well as piano. If you know anything about Cuban music, the name Felíu will ring a bell: his older brother Vicente was a co-founder of the Nueva Trova musical movement and Vicente’s daughter, Aurora de los Andes, is a formidable singer and actress in her own right.

Not surprisingly, it was the Family Felíu that first aroused my interest in Cuba’s cultural autodidacts and dynasties. Like a spouse who suspects infidelity, once I started paying attention, I saw the connections everywhere – not just in music, but also theater, dance, art and of course, politics.

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In honor of the Film Festival, I’ll start with the ‘7th Art.’ If you haven’t yet heard of Habanastation, you will: it’s an Oscar contender and was a blockbuster hit when it opened in Cuba this past July, captivating audiences with its dissection of class divisions in Havana and their effect on values. It was made by filmmaker Ian Padrón, son of Juan Padrón, creator of both Elpidio Valdés and the classic Vampiros en la Habana movies, both of which remain staples in the island’s canon. A young, budding dynasty, perhaps, but an impressive start nonetheless.

The Crematas, meanwhile, are another dynastic artistic family, with brothers Carlos Alberto and Juan Carlos making their marks as director of the Colmenita and director of films respectively.  

In dance, the Carreño tribe leaps to mind: Jose Manuel, Yoel, and Alihaydee, continue to nurture their legacy as some of the most accomplished ballet dancers around, as evidenced by their principal status in top companies. If you can make it in the American Ballet Theater and the Royal Ballet,you can make it anywhere, right? In theater, the Revueltas (Vicente, Raquel) are renowned for their work on stages near and far.

But nowhere is the dynasty dynamic as tangible as it is in music. The Familia Romeu (orchestral director Antonio María, pianist Armando, and Camerata Romeu director, Zenaida) is a good example, as are the López-Nussas – Ernán and Harold on piano, Ruy and son Ruy on drums – and the López-Gavilán Clan (Aldo plays piano, his father Guido is a classical composer and conductor, mother Teresita Junco was also a composer and brother Ilmar is a violinist). I’d be remiss if I didn’t give a shout out to the Alfonsos here: father Carlos and mother Eve Valdes founded the group Síntesis over 35 years ago (think the Partridge Family funkified), in which their musical children Eme (M) and Equis (X) cut their teeth, both of whom have healthy solo careers today (see note 2).

Controversial as he is of late, mention must be made of trova great Pablo Milanés, who also heads up a musical dynasty, with three daughters – Lynne, Haydée, and Suylen – nurturing successful singing careers of their own. Even Silvio Rodríguez, world famous and (almost) universally revered, is the head of a dynasty of sort: his son ‘Sivito El Libre’ is part of the highly polemic rap group Los Aldeanos. Salsa is another genre where families shine, as epitomized by Los Van Van founder Juan Formell and his drummer son Samuel.

 Apart from the dynasties, autodidacts also swell the ranks of Cuba’s über talented. In art, Yanluis Bergareche is an exciting emerging artist who is entirely self-taught. Is it not simply astounding that a young man could teach himself to paint canvasses such as these? In addition to the aforementioned Santiago Felíu and inimitable El Benny, self-taught musicians include up-and-coming rapper/chanteuse Danay Suárez and the blind tres player Arsenio Rodríguez – one of my all-time favorites.

 With artistic giants such as these, the ascendancy of regguetón – defined by simplistic rhythms and misogynistic vulgarity (see note 3) – is doubly shameful. Moreover, it obviously disproves the powers of both Nature and Nurture.

 Do you have a favorite Cuban autodidact or dynasty? Let me know!

  Notes

 1. Each New Year’s, the ‘Rolling Stones of Cuba’ play a free concert in the parade grounds directly in front of the US Interests Section (the pseudo embassy here). Inaugurated to protest the sequestration of Elián González in Miami, this space is officially named the Tribuna Anti-Imperialista, but is known as the Protestódromo in local lingo.

 2. X Alfonso is one of the most innovative musicians in Cuba today and works with artists and musicians in many diverse genres; try to catch a concert when you’re here.

 3. In one recent regguetón-related fracas, Osmany Garcia’s “song” Chupi Chupi was taken to task in the national media for its disgusting, degrading lyrics telling a woman to “come suck my cock, you know you’ll like it; open your little mouth and swallow it sweetheart.”

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November 11, 2011 · 1:34 pm

Let Me Count the Ways…


Ay Cuba.

What have you done to my heart, torn in so many directions but always aching for 23° 7′ 55″ North, 82° 21′ 51″ West? And my soul? Of, by, and for New York from birth, but now reconfigured into an alma cubana that whispers mysteries in Spanish I’m still unable to cipher.

I’m not sure when this happened – feeling betwixt there and between here – though I know it’s common to long-term expats. Hell, I’ve even parsed some of this awkward, never complete transition over the years, crafting a sort of road map to the cultural, linguistic, and romantic bumps in my road.

Despite my musings and analysis, I entered some unknown territory on my most recent trip off-island: in a nutshell, I did not want to leave. Maybe I’ve been hanging out too much with Moises and Rina, two friends who had to travel to the United States recently, but neither of whom had the ganas to do so. It wasn’t due to fear – both have traveled several times for work – nor was it because they’d traveled so extensively that trips abroad had become old hat and rote (see note 1). They just didn’t want to leave the island and these days, nor do I. It feels wrong and a bit scary, like kissing a cousin or sibling.

It makes me sad because I know the lengths so many Cubans take just for a chance to see what lies beyond all that water crashing against the Malecón. And it’s confusing, because on every previous trip, I too felt the need to ‘saca el plug’ (pull the plug) and ‘desconectar’ from the drama-rama that is Cuba. Trips out used to be exciting, emotional, and necessary.

But not this time. I didn’t want to cut whatever cord hooks fast into those of us crazy for Cuba, making us spend money we don’t have, go against our better judgment, and jeopardize job, health, and relationships to get back to the island. In an effort to untangle that cord (or loosen the noose, depending on your POV), I offer all these reasons why I love Cuba (see note 2).

The $1 lunch – Whether it’s a cajita across from the CUJAE or a knife and fork sit down at El Ranchón (one of my all-time favorites), Cuba has some kick ass $1 lunch with all the fixings. Even at the airport: on my recent trip off-island, I filled up at the cafeteria outside Terminal 2 (clearly one of the greatest benefits of the new economic regulations) with a plate overflowing with pork, congris, yucca, salad, and chips. It was so tasty a fellow diner said: ‘my congratulations to the cook – he must be from Pinar del Río!’ (see note 3).

Touching, hugging, and general closeness – Latinos have a different concept of personal space and Cubans, as is their wont, take it to an extreme. Men embrace and greet each other with kisses on the cheek, female friends walk hand in hand, and my best salsa partners have been girlfriends. All of this is to say that Cubans aren’t afraid to touch – your leg when telling a story, your back as they try to pass you in the hall, your shoulder as they ask: ‘how is your family?’ Cubans fill elevators to its maximum capacity and I always delight in watching a mixed Cuban-foreigner crowd boarding them for the mutual awkwardness that ensues. Up in the States, the awkwardness is mine every time I step into a nearly full elevator, encroaching somehow, though there is always room for one more. That weird, reactionary, and let’s be frank, harmful rule that teachers can’t hug students in the USA? My Cuban friends can’t even grasp the concept when I try to explain it.

The hello/goodbye kiss – Related to touching is the traditional Cuban greeting – one kiss on the right cheek no matter if you know each other or not. Even taking leave of big groups results in blowing a kiss to the crowd. I think we should start this trend up north. Our world couldn’t be any worse off with more kisses, could it? On my visit to the States recently, I leaned in towards my host and said: ‘you were wonderful tonight,’ touching his knee as I spoke. Did he misread my Cuban-ness? Interpret it as something more?, I wondered later as he slid his hand down my back to cup my ass. This doesn’t happen in Cuba unless the signal is an unequivocal green (ie the ass grab is mutual).

Fun in the sun – I was born and bred in northern climes, but I’m a winter wimp through and through. Sure I loved tobogganing and ice skating and snowball fights as a kid – still do in fact – but the bulky clothing, the cold that turns wet once the fun is done, and the squeak of day old snow that sounds like someone is packing Styrofoam in your ear isn’t my bag. I like loose clothing, walking in the sun, and smelling gardenias or fresh cut grass in December. Summer clothing is sexier I think we can all agree, and as white as I am, when my freckles fuse into a pseudo tan, I work those scanty, loose-fitting clothes to full effect.

Drink, smoke, & be merry – The 8am Bucanero; the post-feast cigarette; the incessant regguetón: Cubans milk the ‘party hearty, the rest of you be damned’ approach to its fullest. Believe me, I know. And should it slip my mind, my neighbors are quick to bust out their state-of-the-art karaoke machine and warble drunken, sappy ballads until the wee hours.

And the smoking, dios mío. I remember going for my first pap smear at my local doctor’s office here in Havana…hoisting my feet into the stirrups, I watched aghast as the doctor took one last drag of her filter-less cigarette and with a deft flick of her gloved hand sent it flying out the window before diving between my legs (see note 4). If you’re a non-drinker, non-smoker, or not into music appreciation, you’ll probably find Havana offensive. But for those who like an after dinner cigar, enjoy (or need) some hair of the dog once in a while, or are usually the first on the dance floor at parties and functions, I bet Cuba will float your boat.

It’s safer than where you live – Okay, that’s a broad stroke, I know: after all, I don’t know where you live, much less the crime rates. But I can tell you that the absence of crack cocaine, crystal meth, heroin, and guns means a generally safer city. I’m not saying drugs, prostitution, violence, and rackets don’t exist in Havana. They do. But as a longtime traveler and writer of guidebooks to some of Latin America’s most violent cities (Caracas, Guatemala City, San Pedro Sula, Tegucigalpa) and an eyewitness to NYC’s crack attack in the 80s, I can tell you that Havana is a gated community comparatively. Kids play unsupervised in the street here and I walk home alone at night frequently. (Truth be told, I took a short hiatus of walking home alone after a tall guy grabbed me from behind and thrust both hands between my legs one night in Vedado, but I conquered whatever uncertainty the event planted within me). Most of the crime here is of the opportunistic/snatch and grab variety and tends to peak between October and December when people are trying to rally resources for Christmas and New Years’ celebrations.

These are some of the reasons why I love Havana and if you’ve been thinking about coming here, let me leave you with one piece of advice: don’t put it off any longer. The only certain thing in life is that life is uncertain.

Notes
1. Yes, there are Cubans who get tired of traveling they do it so much: politicians, organizers, academics, musicians, and artists, typically.

2. For those interested in earlier thoughts on this subject, see my earlier post Things I Love about Cuba.

3. Country cooking like they do in Pinar del Río is unrivaled – trust me on this one and seek out a campesino lunch next time you’re in that wonderful province.

4. For new readers to Here is Havana, let me reiterate that all the stories found throughout these pages are entirely true, though some names have been changed to protect the guilty.

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